Senin, 16 Agustus 2010

Ebook Free Artifacts and Allegiances: How Museums Put the Nation and the World on Display

Ebook Free Artifacts and Allegiances: How Museums Put the Nation and the World on Display

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Artifacts and Allegiances: How Museums Put the Nation and the World on Display

Artifacts and Allegiances: How Museums Put the Nation and the World on Display


Artifacts and Allegiances: How Museums Put the Nation and the World on Display


Ebook Free Artifacts and Allegiances: How Museums Put the Nation and the World on Display

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Artifacts and Allegiances: How Museums Put the Nation and the World on Display

Review

"An illuminating study that will be of interest to academics and museum professionals working in the field today." (Publishers Weekly 2015-07-03)"Ambitious, well-written, and significant." (Library Journal 2015-09-01)"Experimental — interdisciplinary, cross-cultural, self-critical, heterodox — approaches to art will have to be tried out if an audience for history, which is only as alive as our sense of investment in it, is not to be lost. (For a comparative look at some recent methods, I recommend Peggy Levitt’s 'Artifacts and Allegiances: How Museums Put the Nation and the World on Display,'" (Holland Cotter New York Times 2105-10-28)"Artifacts and Allegiances is a compelling narrative whose insight and passion is well-supported by rich and rigorous sociological analysis, ultimately offering a welcome contribution to scholars across disciplines interested in museums, global politics, and the culture of place." (Society 2016-04-01)"Intriguing... this well-executed analysis presents a powerful brief with its case studies." (American Journal of Sociology)"While Levitt’s book offers its reader a rich analysis of different reterritorializations of the global museum assemblage supported by a thorough reading of the sociocultural environment the museums are embedded in and interact with, her writing also shows a sound sensitivity for the vast complexity required to understand museums as utterly social sites constantly negotiating which society they serve (and/or create), what their place in a globalized world could be, and how to claim this place. " (H-Nationalism)"Peggy Levitt makes interesting points and sparks critical thinking about the significant link between the fields of transnational and museum studies." (Fwd: Museums)"Of considerable interest to scholars, museum professionals, and others, this ambitious, well-written, and significant book belongs in large public, academic, and special libraries. Highly recommended for interdisciplinary museum and visual arts collections." (Library Journal 2015-09-01)

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From the Inside Flap

"Levitt brings sociological expertise to provide fascinating and important insights into how museums negotiate their national and cosmopolitan remits in the face of globalization. Artifacts and Allegiances deserves to be widely read not only by scholars but also by those directly involved in museum work and in figuring out the directions that museums should take today."―Sharon Macdonald, author of Memorylands: Heritage and Identity in Europe Today “The world is constantly shaped by how it is seen and imagined. Museums are among the basic media for this phenomenon, presenting collections by empires or nations, distinguishing art from broader material culture, offering ideas of progression, or claiming novelty. Levitt’s terrific new book shows how this process works with systematic comparisons and a thoughtful analysis. Vital for understanding cosmopolitan culture and more local contexts today.”―Craig Calhoun, Director, London School of Economics and Political Science "A book of travel stories, a snapshot of emergent cosmopolitan art worlds, and one of the best illustrations of how a theoretically rich, multi-sited global ethnography is possible―without a trace of the jargon and pontification found in so much global social theory.”―Adrian Favell, Professor of Sociology, Sciences Po, Paris "Unearths a story of quiet, nearly invisible, heroism as curators mount exhibitions to encourage us to appreciate cosmopolitan values and engage with cultural difference. This is a beautifully researched and crafted book written by one of the most imaginative sociologists I know.”―Robin Cohen, Emeritus Professor and Former Director of the International Migration Institute, University of Oxford “Exhibiting the same storytelling ease that new age museums do, Levitt shows how the turnstile of the self-perceived interior and exterior of the nation, or the cosmopolitan-nationalism continuum, is located at the very heart of museums.”―Kwok Kian Chow, National Gallery Singapore “Peggy Levitt has written a fascinating story about the various strategies and trajectories museums are taking locally in their struggle for cultural relevance in the twenty-first century. Readers are taken along on her journeys to institutions in three regions of the world and are immersed in reflections about diversity, migration, cosmopolitanism, and nationalism, about global gazes and situated ways of acting. This volume links museum studies and anthropological studies of global diversity, connecting the local to scalar connections with regional, national, and global processes.”―Thomas Fillitz, Department of Social and Cultural Anthropology, University of Vienna

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Product details

Paperback: 268 pages

Publisher: University of California Press; First edition (July 7, 2015)

Language: English

ISBN-10: 0520286073

ISBN-13: 978-0520286078

Product Dimensions:

7 x 0.7 x 10 inches

Shipping Weight: 12.6 ounces (View shipping rates and policies)

Average Customer Review:

3.5 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#660,529 in Books (See Top 100 in Books)

This is an unusual and interesting book - highly academic, so you have to find that congenial. Since I've been to most of the museums being discussed, I found it particularly interesting, but I doubt that it has general interest otherwise. The idea that museums play a role of situating a country internationally was something I'd never thought about before. I bought this after going to the main art museum in Doha, which is a real stunner.

great book !

From a museum perspective, the book offered me little new in the way of analysis. I found the information superficial, and her views hackneyed. I regretted buying it.

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