Get Free Ebook Wellness Witch: Healing Potions, Soothing Spells, and Empowering Rituals for Magical Self-Care

Get Free Ebook Wellness Witch: Healing Potions, Soothing Spells, and Empowering Rituals for Magical Self-Care

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Wellness Witch: Healing Potions, Soothing Spells, and Empowering Rituals for Magical Self-Care

Get Free Ebook Wellness Witch: Healing Potions, Soothing Spells, and Empowering Rituals for Magical Self-Care

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About the Author

Nikki Van De Car is a blogger, mother, writer, crafter, and lover of all things mystical. She is the author of Practical Magic, Magical Places, The No-Kill Garden, SereKNITy, Feng Crochet, and What to Knit When You're Expecting, and the founder of two popular knitting blogs. Nikki lives with her family in Hawaii.

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Product details

Hardcover: 144 pages

Publisher: Running Press Adult (September 10, 2019)

Language: English

ISBN-10: 0762467347

ISBN-13: 978-0762467341

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#1,908,670 in Books (See Top 100 in Books)

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Ebook Free Better Thinking, Better Chess: How a Grandmaster Finds his Moves, by Joel Benjamin

Ebook Free Better Thinking, Better Chess: How a Grandmaster Finds his Moves, by Joel Benjamin

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Better Thinking, Better Chess: How a Grandmaster Finds his Moves, by Joel Benjamin

Ebook Free Better Thinking, Better Chess: How a Grandmaster Finds his Moves, by Joel Benjamin

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Review

"It is quite clear that Joel Benjamin has put a lot of time and effort into this book. I feel this could go on to become one of 2019's greatest hits." (Sean Marsh CHESS Magazine (UK))"A solid mixture of instruction and training that will help players rated between 2000 and 2400 in thinking more effectively during their games. Highly Recommended." (John Donaldson, International master, International Master)"Clear and accessible without sacrificing complexity, and funny. The explanations are exemplary. Insightful, well-structured and it fulfills the promise of its title." (John Hartmann Chess Life)

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About the Author

At thirteen years of age Joel Benjamin broke Bobby Fischer's record as the youngest ever US master. He won the US Championship three times and was the chess consultant for IBM's Deep Blue computer, which made history by beating World Champion Garry Kasparov in an epic encounter. He has been teaching chess for many years. His previous book Liquidation on the Chess Board won the 2015 Best Book Award of the Chess Journalists of America (CJA).

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Product details

Paperback: 224 pages

Publisher: New In Chess (November 30, 2018)

Language: English

ISBN-10: 9056918079

ISBN-13: 978-9056918071

Product Dimensions:

6.7 x 0.6 x 9.4 inches

Shipping Weight: 14.9 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#66,534 in Books (See Top 100 in Books)

I had high hopes for this book and I'm not sure why. I also have Benjamin's Liquidation on the Chessboard, which he mentions in this book. Let me save you $20 and 250 pages of reading. You should simplify to a won pawn ending when you can. The end. Now I have to admit, I didn't read that book all the way to the end, so maybe it got better eventually, but I already know that you should simplify to a won pawn ending when you can, so I didn't see much profit coming from wasting my time on continuing with it.This book is similar. I read a little further in this one, but I'm also not going to finish it because, well, let me illustrate. Here is some advice from chapter 1 on playing openings. "...it is important not to rely too much on preparation. You must understand the strategies in an opening..." (p.13 and first page of the chapter). Number one, where have I heard that before? Number two, find someone who will explain those strategies to me. Most opening books are just lines and variations within variations, and that includes the ones that say you can play this opening from general principles. Believe me, I have a lot of them, and even the ones that say they will explain the strategies rarely do. (And you can't play openings from general principles unless you really enjoy coming out of the opening already lost!) Don't count on this book to be any exception. The gist: Don't prepare too much. Prepare just enough! Calculate. Don't be lazy. Do the work. Gee, thanks! Why are they keeping this stuff secret? (Oh yeah, they can make a lot more money off you if you hire them as a coach.)Most of Benjamin's advice on openings consists of 'white should have played this' or 'black should have played that.' And how are we to know that over the board? Well, you're supposed to have a plan. Really? I would never have imagined! And where does that plan come from? From preparation, of course. "Insufficient preparation can be worse than no preparation" (p.14). Write that down. There will be a quiz!Here's more advice. "Tactics can always be overlooked" (p.16). To prevent that, buy a "good book" on the opening. Play "through a lot of games on the database" (p.16). "There are so many opening 'questions' like this that you cannot possibly anticipate all of them before you encounter them. You can't simply plug in moves you know, because they may not fit when the position is slightly different. If one variable is different, you have to work out, either in prep or over the board, how it changes everything. ...apply your general knowledge and powers of logic to get through the opening" (p.16-17). And that's done OTB how? By calculation of course! You can't be lazy about that, we are cautioned. You have to do the work.I would have expected a book with a title like this to, maybe, give me some tips on how to do a better job of that. But no, there are none. Calculate. Don't be lazy. Those ARE the tips! "Having a good approach helps" (p.17). "Don't obsess about theory so much that you skimp on the fundamentals" (p.17). "If you find yourself in a situation where you can't access any plans from memory, you have to _do that work over the board_" (p.17-18). The last bit of that sentence is italicized as if it is some sort of grand revelation. Does that help you? It doesn't help me. And yet that's it. THAT is the kind of advice you will get from this book.Maybe I'm too weak to appreciate this book (1700ish). Or maybe I'm too strong (unlikely). Oh wait, I forgot! "Be alert." Maybe that helps. It doesn't get any better in the second chapter on endgames. "Good endgame play takes patience, appreciation of the initiative, and, above all, good planning" (p.37). Great! I can hardly wait for more detail on that. But there is none. Not that I saw. So I stopped reading after chapter 2. I have better things to do with my chess time.Conclusion: How dare they charge me $25 for this kind of pablum?! Save your money.

I am immediately going to study this book. It is my favourite chess subject. I met GM Joel Benjamin at Manhattan Chess Club. I had just finished my game in amateur section with Dore Sheppard and was doing a post mortem when 11 year old Joel walked by and said can I show you guys something I saw while walking by your game? He proceeded to show us many moves and variations all from memory and blew us away! It was over our heads and we knew we had just seen a chess genius!

Good learning style. Different but meaningful.

I really enjoyed this book. Joel touches on a wide variety of ills that plague me and (presumably) other non-GM level players, and has lots of relevant examples from his own games and from those of his students. Its fun to see some non-GM level games interspersed amongst Joel's clashes with other GMs, and the examples are always relevant. Recommended!

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Better Thinking, Better Chess: How a Grandmaster Finds his Moves, by Joel Benjamin PDF

Better Thinking, Better Chess: How a Grandmaster Finds his Moves, by Joel Benjamin PDF

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Ebook How to Identify Prints, Second Edition

Ebook How to Identify Prints, Second Edition

You could locate the web link that we provide in website to download How To Identify Prints, Second Edition By purchasing the economical cost as well as get completed downloading and install, you have completed to the first stage to obtain this How To Identify Prints, Second Edition It will be absolutely nothing when having actually acquired this book and also not do anything. Read it and reveal it! Spend your couple of time to merely read some sheets of page of this publication How To Identify Prints, Second Edition to review. It is soft documents as well as easy to read any place you are. Appreciate your brand-new habit.

How to Identify Prints, Second Edition

Ebook How to Identify Prints, Second Edition

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Review

"An exceptional introduction to the field of printmaking as a whole. A must for any art collection."

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About the Author

Bamber Gascoigne is a widely known broadcaster, author, and publisher.

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Product details

Paperback: 216 pages

Publisher: Thames & Hudson; 2 edition (May 17, 2004)

Language: English

ISBN-10: 9780500284803

ISBN-13: 978-0500284803

ASIN: 0500284806

Product Dimensions:

8.8 x 0.8 x 9.9 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

22 customer reviews

Amazon Best Sellers Rank:

#155,672 in Books (See Top 100 in Books)

I've been a professional printer for over thirty years. I've been involved in quality and process engineering for fifteen years. I bought this book to fill in some gaps in my knowledge about the history of printing methods and processes. My interest is in process and system controls in the modern, digital printing workflow. This book provided wonderful scholarship and reliable information on print processes and methods. The author has done his homework. His descriptions of printing processes is accurate and reliable. I recommend this book without reservation for those interested in printing, in the history of printing, and, of course, in learning about how to identify the methods and processes used to produce the print under examination.

I almost said "for the beginning print lover," but even the pros might want occasional reminders about obscure processes.This book displays an incredible number of processes and variations. Even within etching, there is standard intaglio process, relief etching, intaglio so deep it's amost relief, spit-biting or open-biting - well, a very long list. This gives an exacting look at the marks specific to each process, and gives good diagnostic descriptions. A special strength in this book is the differential diagnoses, the questions to ask that help distinguish two very similar kinds of marks. Every point made in the text is illustrated real samples, and that makes for a heck of a lot of illustrations.I have almost no quibbles with this text. There are just a few minor points that Gascoigne could have brought out more clearly. First is that Japanese woodcuts are under-represented. It's a rich tradition with a number of distinguishing features: gradations of ink hand-placed on a block, occasional use of mica for luster, and occasional use of un-inked "blind" impressions to impress texture into the paper. Second is a mark that I think is unique to drypoint: the line is often asymmetric, crisp on one side and blurred on the other, capturing the asymmetry of the drypoint burr. The split drypoint line is more famous but, in my experience, less common. I've seen it only in the most aggressively worked drypoints, such as some by Picasso. Third is a feature of some dust-ground aquatints: that the white marks can sometimes form a connected mesh around the black dots, where a spirit ground always has a black ocean dotted with white islands. I know these are minor points, and I hope you see how few there are.I'm a process nut. It's not the only way I enjoy prints, and not the way everyone enjoys them. For me, though, it really adds something to know how the maker's hand created each mark that I see. This isn't strictly a process book, and only accidentally a book of process history. It's a book about how a print looks, and seeing even more in the finest part of its looks. In the end, that's really the best reason to love a print.//wiredweirdPS: A little while ago, I was given a very nice color print. It was done in mezzotint style, using burnishers to work from dark to light. Instead of a rocker-made ground, though, it had an aquatint ground. Color came from inking au poupee, dabbed on the plate. The giver was quite surprised that I read its story so precisely. Read this book, and you'll know just what I saw.

First of all, this is an EXCELLENT book...perhaps the best book I've ever read claiming to help with identifying "things." I help my wife with her antiques business, and try to learn as much as I can across a very broad range of subjects. I've read books on furniture, clocks, silversmithing, jewelry, porcelains, etc. etc., so I'm comparing this book to many others I have read. I love prints, hence I purchased this book and find it truly useful to narrow down what a particular print is, and how it was printed. Once read, I now look at some prints with awe at the technical prowess of the artists and their amazing accomplishments. So why did I give this book 4 stars and not 5?It's missing one chapter in my opinion: and this chapter should provide a brief overview of other "drawn" forms of art. Others may disagree, saying this book is about prints, and adding watercolors, pencil drawings, india ink, oils, etc. is out of scope. But a chapter aimed at the novice to help quickly discriminate a true watercolor from a good print of that watercolor would be valuable (to me at least). A case in point...I purchased what I thought was a print (at auction, it was sold as a print), but on closer inspection I "think" it's a watercolor. The overlapping brush stokes and uneven distribution of color seemingly caused by a brush appear to distinguish it from a print. None of the illustrations in the book "look" like this. Having a couple of illustrations showing what to look for in a watercolor would help. I don't know anything about the author, but if there's ever a new edition, including such a chapter would prompt me to purchase the update.This one issue aside, I would totally recommend this book to anyone with any interest in the printed art form. Great book.

A good overview of the history of printmaking. It's just too much info to memorize and the section that is supposed to help you with that is sparse and lacking photos to help you out.

This was the book that clearly adressed any questions I had about any / all types of graphic art and its reproductive procedures . Takes all the guesswork out of what it is that your looking at !.

this is a great book for self-educating about prints, it's informative and has great visual, shame it's only b/w visuals, but it works for me. I have notes in it already.

I learned a lot from this book. I carry it in the truck of my car when I go to estate sales. It's that good.

Covers all eras and types of prints. Excellent general reference with lots of illustrations.

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How to Identify Prints, Second Edition PDF

How to Identify Prints, Second Edition PDF

How to Identify Prints, Second Edition PDF

How to Identify Prints, Second Edition PDF

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